>A Civil Rights Protest — at an Art Fair!

>Politics and art mix all the time at art fairs — but generally it’s about who knows the director and gets the best spot. Civil rights don’t come up very often, unless you’re honest enough to notice that they’re aren’t very many artists of color in most shows. But that’s another topic.

I experienced three “firsts” at the River Arts Fest in Memphis last weekend. The first “first” was shortly after the show opened on Friday evening. Apparently the fire department forgot the street was closed — or didn’t care. Two full sized fire trucks tore down the street at 50 miles an hours, with lights and sirens, just inches from the packed art tents and patrons. After the emergency was over, they came back through an a more leisurely but no less treacherous 30 miles an hour! When those trucks almost nick the awing of your tent with tens of thousands of art in it, it’s a little nerve wracking!

Then a patron wanted his picture taken with me! How cool is that! Guess he likes middle-aged, chubby bohemian types!

But here’s the one that stuck with me: the art fair had a protester! And I can’t say I completely disagreed with her.

The fair was set up on Main Street. Not a charming Main Street or a bustling Main Street. In Memphis, Main Street is struggling. The sidewalks are crumbling. The store fronts are empty.

The Lorraine Motel is a block away. For those under 50 or those who don’t remember their Civil Rights history, the Lorraine Motel is place where Martin Luther King was assassinated in 1968. It’s been preserved and now is the home to the National Civil Rights Museum. You must go there. But be prepared. It’s not a happy place. I haven’t been there in five years but I still tear up when I remember coming around a corner and being confronted by a burnt out city bus. Not a model of a bus — but one of the actual buses that was burnt and destroyed with innocent people inside — all because they asked to be treated like people.

I was a young teen was Dr. King was killed. A few months later, Bobby Kennedy was killed. Malcolm X had been dead three years. John Kennedy for five. It was Vietnam. It was Watts. My teen years were not peaceful ones. This stuff sticks with you forever and shows up in art and opinions and everyday life.

When the protester came around, I talked to her. She had a good point. The art fair had set up a music stage in front of the Lorraine Motel. That didn’t seem right to me either. The stage is the place where fair goers drink and dance and enjoy themselves. The stage should have been moved.

But the protester didn’t like that the artists were on Main Street either. I disagreed with that. Every artist there is a small business person. None of us is getting rich. We’re not exploiting anyone. We’re not polluting or destroying natural resources for our own gain.

We are people making our own way in the world and trying to support our families. If our art can make someone smile or think — so much the better.

Art saves lives. If art can bring people back to Memphis’ Main Street and help revitalize it, then Dr. King’s memory has been honored — not desecrated.

Posted in Art, Fairs, Politics, Soap_Box, Stories | 1 Comment

>The Critique

>Last month I finally got up the nerve to submit my work to a professional art fair juror for a critique. If you’ve been to art school or a serious art class, you’ve been through a crit. (No, the local art club doesn’t count. They’re too nice.)

A crit can be exciting and nerve-wracking. You can walk out of there jubilant or crestfallen. If the crit is bad, you’re probably crying — even if you’re a tatooed, 250 lb pipefitter who longs for a solo exhibit of his delicate oil pastels. You’re certain you’ve wasted your life.

If it’s good, your head will not fit in the door of the next gallery you present your portfolio to.

For most of us, it’s in between. And that’s fine — when you’re in school. After you’ve been doing this professionally for a while, you need the crit to fine tune your work or help you find a new direction — but basically you want the art professional to tell you that you’re wonderful and next month you’ll be on the cover of the Times art section. You want reassurance.

Some friends wanted to know why I bothered: I’m getting into good shows, I’ve been honored with some nice awards — what more could a crit tell me?

The problem with being an art fair artist is that we get a lot of compliments. “Wonderful work” is the currency most people use to get out of a booth without buying something. They are polite and an art fair booth is an intimate, small space. It would be rude not to say something!

Eventually, we start to believe it, regardless if the work is selling. We might even start to think we’re the ONLY artist who hears these remarks.

The crit brings us back to reality.

The good thing about professional crit is that I get to chose my own judge! When else can you do that? I’m paying the judge for the crit (you didn’t think it was free, did you?) so I get to choose. My decision was based on thorough research: I read the 200 word blurbs of the choices. Ultimately, I went with the one whose image and credentials were presented in a style that spoke to me. We go through the same process when buying art, so why not when choosing a judge?

Robert Watson is an art professor at Florida Atlantic University and offered me far more advice, feedback and inspiration that I could have imagined. First, he told me what I already knew but refused to accept: jurors hate florals. I have to stop doing them. I know. But they sell! He knows. I have enough of them. His favorite: Ferris Wheel. But he hates the title. In fact, he hates all my titles. I don’t blame him.

What really surprised me is after the crit of the Polaroids was over, he went back and looked at all my work and pulled out images to praise that I can’t get accepted into exhibits or shows anywhere. He selected images that I love too, but the general public or other art jurors don’t.

It was a terrific experience. I learned a lot. I’m energized. I’m thinking and working.

Now, would anyone like to buy some lovely florals?

Posted in Art, Critic, Nuts and Bolts, Photography | 2 Comments

>Highland Art Fair & Aunt Florence, 1908-2007

>I was watching CNN a few years ago when they ran a human interest story about a woman in Arizona who celebrated her 85th birthday by para-sailing. Oh my gawd! I called my mother. Guess what Aunt Florence is doing now?!!! My mother wasn’t surprised. Five years earlier, my mother had celebrated her 50th by jumping out of an airplane. I come from a long line of very interesting, rather eccentric and quite bold women. Who would have guessed?

I took this picture of Florence at a family reunion in Highland, IL in 2000. She always had fresh flowers in her hair or on her hat. Her laugh was infectious and she was very proud of those gorgeous teeth. A few years ago she went in for some surgery and the nurse tried to remove her teeth. With a patronizing little pat, the nurse said that she couldn’t have an operation with her teeth in, thinking they were false because she’s so old! Florence threatened to bite the woman’s hand if she stuck it in her mouth again. The teeth were real and connected to her face!

Aunt Florence was planning to celebrate her 100th birthday in May on a parasail. She missed it by 7 months. Her memorial service will be in Highland, IL today. Her brother and other family still live and have a business there — Widmer Florist.

Florence was an amazing woman. Born in an era when women could be mothers or have a career, she chose the latter, as did several other women in the family. She had her own floral shop on North Grand in St. Louis until she was in her late 70s. She sold the shop and decided to marry — for the first time. She had boyfriends before, but apparently the relationships were quite proper and chaste, because she told my grandmother Genevieve (who told me in whispers) that Florence really liked married life. She REALLY liked it!

Her first husband died and she wasn’t ready to be old yet, so she got herself a younger husband. She was in her 80s when she married Norm, in his 60s! They were sweethearts until end.

I felt Florence’s presence in Highland this weekend. I was there this weekend exhibiting at the Highland Art in the Park, along with 60 or so amazing artists, many of whom have become friends over the years. Sales were pretty good (Highland is small, but they love art and support the show), I was honored to receive an Award of Excellence.

Thank you Highland. And thank you Aunt Florence. You will be missed.

Posted in Art, Awards, Stories, Thank You, Women | 1 Comment

>Next Generation

>
Next Generation is a photograph I created this spring in response to the Katrina Diaries, an exhibit sponsored and produced by the Women’s Caucus for Art, New Orleans Chapter. The WCA – St. Louis Chapter hosted the exhibit this summer, together with work that member artists created in response and reflection.

Next Generation is on exhibit this month (October 2007) at the Creamery Arts Center in Springfield, MO. If you’re in the neighborhood, please stop by and view the entire exhibit.

A sister artist, Jennifer Weigel, paid me the highest compliment about this photo and those now on exhibit at Central Reform Congregation in St. Louis. She admitted to me that she doesn’t much like photography (I get that a lot), but that my images are intimate without voyeurism. She feels drawn into them.

That’s very high praise for any artist, especially a photographer. Thank you, Jennifer. (And I won’t mention that it kills me that you were born the year I was a senior in college. Sheesh! When did I get so old?)

Posted in Art, Exhibits, NewWork, Photography | Leave a comment

>A Shelter of Peace

>Sukkat Shalom, a Shelter of Peace, opens Saturday, Sept. 29 at Central Reform Congregation, 5020 Waterman, St. Louis, MO with an artists’ reception and gallery talk from 7-9 p.m.

I am so thrilled with this exhibit. We’ve never had a juried exhibition at CRC before and the varied artwork looks exquisite on the wood walls. More importantly, artists from a variety of faith traditions and five states interpreted the theme so broadly. I expect the exhibit to spark many conversations in the months to come.

This is one of my entries, A Place to Be, and I’m very pleased it was included in the show. An element of surprise, to see the ordinary a bit differently, seems to be a common thread running through my newer work.

Many photographers shoot what they see. Some photographers see what they shoot. I’m the latter. In other words, I envision an image, work through it, plan it. I can have an image in my mind for months, even years, before it works its way to the top and is finally ready to be put on paper. This was one of those images, which probably is why I like it so much. Very few of my favorite images are in color.

Birds love to nest around our home — probably because the trees are untrimmed and the grass is high. I guess it doesn’t look like anyone really lives here. Or maybe they realize we have other things to do and we won’t whack off branches willy nilly!

This nest fell from a tree, completely intact, in May. I knew I wanted to photograph it, so I saved it. I know it looked like I just laid it on the sidewalk near the front door and forgot about it for three months, but really it was there to remind me to think about the image. I did. For three months. Then I picked up a camera. This is the result.

Please come take a look at all the wonderful interpretations of shelters of peace. The exhibit runs through Dec. 1

Posted in Art, Exhibits, Nature, NewWork, Photography, Stories | Leave a comment

>Perfect Light

>Photographers notice light. All artists do, of course, but photographers are passionate about it. Everything we do depends on light. An image is ordinary or spectacular depending the light, how we manipulate it, bend it, filter it, see it, exposure for it, ignore it, paint with it. All of that means we generally take it for granted.

Not today. Today the light was extraordinary. All day.

I first noticed the light this morning on my way to my studio. A cold front was coming through and the clouds were moving fast. The sun was still low in the sky and lit the underside of the clouds while leaving the tops dark. Very dramatic.

Later in the morning, I was heading north on I-55, then I-39 toward Rockford, IL. The clouds in the distant north melded with the light blue of the sky. It was northern light.

As I set up my booth at the Greenwich Village Art Fair– in 50 mile per hour gusts! — I kept noticing the contrast between the intensely blue sky and the white clouds outlined in black. As the sun started to set, the underside of clouds were illuminated and the tops were dark.

All of this was beautiful and unusual, but I was unprepared for sunset. Between the dark blue of the early night sky and the orange horizon of sunset was a new moon, hanging in that space where blue meets yellow. It took my breath away. I couldn’t take my eyes off it. A perfect two-day-old crescent in perfect light.

Perfect light.

Posted in Fairs, Light, Nature, Photography, Stories | 2 Comments

>St. Louis Art Fair

>Last night I did two things I hardly ever get to do: I went out with my husband (OK, we had an out-of-town cousin with us too, but we WANTED to be with him!) and I walked an art fair as a buyer. What an eye-opener for me!

First, for those who don’t know about it, the St. Louis Art Fair is reputed to be one of the best in the country– and one of the most competitive. More than 1500 artists vie for one of the 165 spots. The setting is ideal, too. It’s set in the business district of Clayton, an upscale inner-ring suburb. The hours of the three-day show, which go to 10 p.m. on Friday and Saturday night, must be grueling for the artists. I’ve done those show hours and they can be horrible or exhilarating, depending on the crowd — and the artists’ attitudes.

After spending the evening at the fair, I came away with one conclusion: most of the artists there should be ashamed of themselves. Except for artists I knew, only ONE artist greeted me with an attitude of welcome and enthusiasm for her work. At least a quarter of the booths were void of artists altogether!

In fairness, it was a little rainy — but rain is part of the deal when you sign up to be a art fair artist. It will rain during the summer, and it will rain in September in St. Louis, and — if history tells us anything — it WILL rain during the St. Louis Art Fair.

Also, in fairness, there were A LOT of people on the street Saturday night. The booths had people in them and I saw some transactions.

What I didn’t see was artists’ enthusiasm for their work. Maybe that was because some of the work just wasn’t that good. Maybe there were tired and wet and crabby. I don’t care.

Art is so subjective and I don’t claim to be an intellectually gifted critic. I do see a lot of art and I think I can recognize an artist with vision, originality, and care of craftsmanship. I generally skip over the fiber and jewelry booths, (sorry) so I cannot speak to those.

First, the good: the quality of painting and drawing was exceptional — the best I’ve seen for a while. There were glass and ceramic artists producing extraordinary and unusual work. There was some sculpture that was so interesting I wished I had an extra $500 to plunk down. I think my favorite by far was Cathy Broksi, a ceramic artist, whose figures spoke to me with such force that I woke up this morning thinking about them. I hope Cathy wants to trade work with me someday. She was the only artist who was energetic and welcoming. She and her assistant-friend even were friendly and open AFTER they found out I was a sister artist and probably wasn’t buying anything. (I’m putting a bumpersticker on my van that reads: “Driver carries no cash. She’s an artist.”)

I’ll let my friend Mary Beth Shaw, a mixed media artist and self-confessed “girl who runs with scissors,” who exhibited at the St. Louis Art Fair this year, comment on the Mixed Media work. Some I thought was wonderful, but a lot looked mass-produced and gimmicky to me.

Now for the photography. Since I’m a photographer, this category always gets my harshest eye. Frankly, I didn’t see anything that knocked my socks off. Chris Maher is doing some wonderful work with smoke, but most was the same-ole, same-ole. Some of these photographers are very familiar to me, and I don’t see a lot of new work from them. One was such a disappointment. I’ve loved his work and wanted to see it in person. Not only was he not there, but the work looked haggard and the presentation was sloppy. I think it’s time for a break for him.

I’m glad I took a weekend off from art fairs to be able to walk one with a customer’s eyes. It was a good reminder of how customers — at least this customer — wants to be treated. And it was another reason to get back into the studio and produce new, fresher work.

Posted in Critic, Fairs, Soap_Box | 4 Comments

>Spoiled

>Hi! I’m Jeane. And I’m an Art Fair Artist.

Yes, it IS a bit of an addiction. We Art Fair Arists pursue that ideal fair — NEXT weekend –that will bring the collector who just can’t live without our work. At every show there are fellow artists who seem to unwittingly find each other and have an impromptu AFAA meeting — Art Fair Artist Anonymous. I’ve almost got my 5-year pin. At the “meetings” we swap stories about the great sale, the stupid comments from that odd person who thinks it’s sport to poke fun at an artist, the set up or tear down in the rain, the greedy promoters who treat us like like we have deep pockets and no sense. Ahhhhh, promoters. Don’t get us started.

Then we talk about the shows that treat us like royalty. The show we can’t wait to do again.

The art fair circuit is not easy. It looks glamorous: the travel, the adoring public, the “getting-up-at- 5-am-to-set-up-in-the-dark only to work a 15 hour day” — but it’s hard work. I’m not complaining. I love talking to people about my work. But it’s a hard job. So we really appreciate it when an art fair staff coddles us — even a little bit.

I thought I had been treated well at some shows in the past, but nothing — I mean NOTHING – compares with the welcome we got in Sioux City’s ArtSplash over Labor Day Weekend. It’s a long drive from St. Louis to Sioux City — about 8 hours (ok- I did it in 7.25, but don’t tell!) It’s also a long 3-day show. But from the moment I got there they fed me, kept me hydrated in the heat, bought from me and oohed and ahhed over me. They made me think I deserve to be pampered!

Thank you, Sioux City! The South may think then know hospitality. You really DO hospitality. I can’t wait to come back next year!

And, if that weren’t enough, I got to see my friends Michael Wyland and Margaret Sumption, who have a nonprofit consulting firm in Sioux Falls, SD, just an hour away.

Again, thank you Sioux City! I know the economy is hard right now, and dollars are tight. But thank you for making it worth my time and energy to discover your wonderful city and amazing welcome!

Posted in Fairs, Humor, Stories, Thank You | Leave a comment

>More New Work!

>Steve, the kids and I spent 10 days camping in the UP (Upper Peninsula of Michigan) on Lake Superior early this month. I have the most patient family. The best un-kept secret in our family is that we vacation where I want to shoot. And I LOVE the Great Lakes. I love the ocean, too, but Lake Superior is where I love to be most.

This year we camped on the Tahquamenon River, near beautiful waterfalls that empty the river into the lake near a town called (I’m not making this up) Paradise!

Lake Superior is cold to swim in (we call it “invigorating”), expansive and completely isolated. We couldn’t even get cell service! You can drive for miles without seeing another car, house or — as we were a bit panicked to discover — gas station! You will see deer, an occasional moose and acre after acre of pine trees. You never know what exquisite cove or beach is just beyond the trees. The discovery is magical. I can’t imagine what it must have been like 200 years ago, when people respected and cared for the land and water.

We had amazing weather (68 degrees when it was 105 in St. Louis– sorry about that.) We were buying — and wearing — sweatshirts all week. There’s also a wonderful little micro-brew pub in Tahquamenon State Park, and we found an excellent brew pub and grill in Grand Marais on the eastern edge of Pictured Rocks National Lakeshore. Just because these places are isolated and underpopulated, doesn’t mean they don’t know how to brew good ale and cook vegetarian food! AND it’s close to Canada. What’s not to like?

On the way up to the UP we drove long the eastern shore of Lake Michigan (chasing beaches and lighthouses). On the way home, we spent a couple of days in Mackinaw City and a day on Mackinac Island (yes, they are spelled differently).


While it’s great to be away — and we all love camping (well, Steve puts up with it. Aaron, Hannah and I love it!), my vacations are working trips.

I’ll be producing work from the trip all winter, but I’m happy with these first four Polaroid images. And I’m hopeful that I found a new source of film from the Netherlands. If it works, I’ll teach classes in the technique again.

I also shot lots of timed exposures and infra-red on this trip, too. Lots to do, lots to do!

Posted in Nature, NewWork, Photography, Polaroid | Leave a comment

>ADOPTED!!!!

>I hate it when people brag about their volunteer work, but I’m just going to have to — because Shamon found a FOREVER FAMILY!!!!! I’m bound by my contract not to show his photo, but you can see it here: http://www.moheartgallery.org/Albumn/pages/Shamon%20H.htm

Two years ago, an amazing woman and photographer, Dana Colcleasure, founded the Missouri Heart Gallery Project. She organized about 70 fine art portrait photographers all over the state to volunteer their time to produce inspiring portraits of children awaiting adoption. The fine art portraits look SO MUCH BETTER than the snapshots of kids up against and brick wall, and truly show their personality. The exhibit travels the state and people see the photo, make a connection and want to meet the child. This year, already 39 kids have been adopted and there have been 1800 inquiries! How wonderful is that?

Last year I photographed two children, one who was adopted. I was so thrilled! This year Dana asked me to photograph 7 children, mostly kids with disabilities. Because my son has multiple disabilities, she knew I had some experience in that realm.

When I asked Shamon how he wanted to be photographed, he KNEW he wanted to be Batman. A studio fan got the cape flying and he took posing direction great (that is, AFTER he got over the disappointment of not wearing his Batman mask!

Now I can’t wait to hear about the other kids!

Posted in Photography, Stories | 1 Comment