An Artist’s Journey: China, 3 July 2014

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Zhongshan Street, ©2014 Jeane Vogel Studios

Yesterday day was a slower day. We needed it.

We started with a late breakfast, then met a student’s of Renata’s for lunch. A short 20-minute walk in this heat and we arrive at a “western” coffee house, drenched. There is just enough air conditioning… not too much… to refresh us.

Sometimes it’s harder than I thought to find vegetarian food. Most places won’t just toss some vegetables in a wok for me. I must choose off the menu. Frankly, I’m already tired of black mushrooms, but all the food has been terrific. Lunch with the student is very pleasant, but she struggles with her English. I can tell how exhausted she is from the not so simple task of expressing herself. She does great!

After such a large meal, I cannot believe we are stopping at a Western bakery, but the cakes are terrific and the shopkeepers very friendly and accommodating.

20140703-073808.jpgA short walk back to the hotel, where I could prepare for my photography workshop today. THEN, to the Chinese hair salon for a hair washing: one hour of massage of head and body, and a hair treatment that my follicles will demand in the future!

Dinner was a fabulous Szechuan meal of green beans and eggplant and potatoes and tofu.

Ok. It was a luxury day. Now back to work!

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An Artist’s Journey: China, 2 July 2014

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School Boys, ©2014 Jeane Vogel Studios, Zhongshan, China

Zhongshan is not a tourist destination. It is not large — only 8 million people. I laugh when I’m told that. What would my hosts think of St. Louis in comparison?

Traffic is normal — not chaotic, not aggressive, not rushed. People have a place to go and they will get there.

The boulevards are wide. The sidewalks are wide. Pedestrians share the sidewalks with motorcycles and motor bikes. Pedestrians DO NOT have the right of way. Step onto the street at your peril.

Still, even in rush hour, there did not seem to be a crush of cars, bikes, people. The traffic was slowed a bit by the rain, but it was orderly in a fashion, and no tempers flared when a line of cars decided to increase the number of lanes from two to three in one direction, thus decreasing the number of lanes to one in the other.

I’ve been in a lot of cities around the world with horrible traffic. Mumbai was clearly the worst — a carnival ride every trip. But London, San Jose in Costa Rica, Milan, Florence, Mexico City, Dublin, Mumbai: traffic SCREAMED, honked, yelled, swerved. Aggressive pushing to get in front of a line that wasn’t moving. Me first. ME FIRST!

Beijing might be different, but in this small city of 8 million, the traffic doesn’t seem like traffic. It seems like order. And just where are these 8 million people?

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An Artist’s Journey: China, 1 July 2014

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Renata and I were treated like honored guests by two of Renata’s former students and one of the student’s parents. I have never felt so welcome and honored and special. Never.

Wonderful funny moments: my Mandarin was so badly pronounced that the few words I knew were unintelligible. Jen, Iris’ mom doesn’t speak English at all, her dad has a few words. Both were incredibly enchanting and loving. We made it through with laughs and jokes and gestures and the young women’s great translations.

They are using my Chinese name; we are using their English ones.

When the food arrived, Ashley leaned to Renata and quietly asked if I needed a fork. She didn’t want me to be embarrassed. I overheard and told her I could use chop sticks. Renata agreed. Then, of course, I had to pick up a tricky piece of food, veggies wrapped in tofu skin. Everyone at the table was watching… I had to eat first…. and then cheered and clapped when I successfully snatched it off the plate and into my bowl.

Not quite a “Nixon goes to China” moment, but a cultural victory nonetheless!

And the food was amazing!

Zhongshan, People’s Republic of China

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An Artist’s Journey: China, 30 June 2014

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Tjap artist proudly shows me my name that he has carved in the marble, ©2014 Jeane Vogel Studios

It’s hard to keep track of all the details while traveling. I have lost this artist’s name, but I loved talking to him. When he learned I was an artist and wanted the tjap (pronounced chop) for my art work, he gave me details and information about the item that he doesn’t bother explaining to tourists.

Dating to the Qin dynasty (210 BCE), Chinese seal carvings were only used by the emperor. It was a symbol of power and authority and authenticity. They have been used for centuries by artists to sign their work.

There were many blanks to choose from, ranging from simple wood about 1/2 inch round, to ornate carved marble 1.5 inches square. I picked up one of the latter to examine.

Those carvings are the four dragons that represent the four elements, he told me. I perked up. I rattle off the elements. He looked surprised. You know Chinese culture, he said, pleased. Not very much, but the elements are a recurring theme in my work, especially the Prayer Flag project, which have the alchemist’s symbols silk screened at the bottom, and incorporate the element colors in the flags themselves.

Of course that tjap was the one for me!

Another customer came up as I gave him my business card bearing my Chinese name for him to inscribe on the marble. She had a couple of kids in tow. The market was crowded and space was tight. She juggled the school-aged kids, called to her husband, and insisted that the artist inscribe the tjaps with her childrens’ monograms. The artist’s smile didn’t falter, but that’s not his art. That’s what he has to do to make a living: comply with the customer’s demand. But would a non-Asian customer ask for that? The artist and I exchanged a look that communicated what all artists know: I will do this thing you ask, but it’s not my art. I will do my best work, but this request tells me my art is not understood or respected. The customer meant no disrespect; she just didn’t understand the value of the tjap and the artist’s expertise to carve it for her, and the piece of himself he was offering.

I do understand it. A little. He and I talked quite a bit while he worked. I didn’t haggle the price, but paid what he asked. He tossed in an ink well.

20140629-232557.jpg A tjap is not an easy thing to ink or use. It will take practice to master the traditional way of signing my work. It will be time well spent.

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An Artist’s Journey: China, 7 am, 29 June 2014

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Incense offerings at Wong Tai Sin Temple, for the Daoist deities, Kowloon, Hong Kong, ©2014 Jeane Vogel Studios

A few random thoughts about Hong Kong after 36 hours:

• Are there friendlier people on the planet? Truly kind, helpful, cheerful people. How do they keep it up in this heat?

• Summer in Hong Kong: OMG. This is not camping in the Florida Keys in August hot. It’s not St. Louis in a heat wave hot. It’s HOT! A humid. The air can be cut with a knife… and yes, you can see the air. Pollution is bad. I can’t imagine what this country would be without air conditioning and I don’t even what to know the public and environmental cost of keeping it on.

• When a Chinese person wears a mask in public, it’s probably not because he or she fearful of catching YOUR germs, it’s because he or she is not well and doesn’t want YOU to be sick. We could use some of that consideration for the collective in the West.

• Subways are clean and bright and nice smelling (even in a land without deodorant) and look like little shopping centers. The carriages are clean, graffiti-free, well air-conditioned and comfortable. The passengers are polite and considerate. Nine of ten people on the train are looking at their phone.

• Because everyone is looking at their mobile, the escalator announcements remind them to “look up from your mobile” before departing so they don’t slam their faces into the pavement, bloodying the floor and impeding foot traffic.

• The subway tracks are protected by sliding, transparent doors that open when the carriage arrives and closes when it departs. My first thought upon seeing that: “well, no way to push someone in front of a train here.” Have no idea why I thought that.

• Everything is for sale. EVERYTHING.

• The flower market in Yau Ma Tei section of Hong Kong, really four or five square blocks of shops, contain enough flowers to fill a hundred banquet halls and have hundreds left over to brighten all the nursing homes in North America. The orchids are exquisite. The bonsais are huge and must be several hundred years old. Cut flowers by the truck full. All look fresh and perfect. They must sell out because no one could stay in business tossing these out every few days.

• I haven’t seen cut flowers anywhere else I’ve been.

• The temples are the most inspiring creations of art, and people take their offerings seriously. Holy places.

• Very few people smoke.

• Cabs are cheap. Buses are cheaper. Subways are easy to negotiate. Getting around is easy.

• There is only a river that separates Greater Hong Kong (Kowloon & the New Territories) from the Mainland, and a small bay that separates the island of Hong Kong from the Kowloon. I thought they were much farther apart. The politics are interesting. Whole worlds are kept apart by a stream.

• Images Che & Mao are found on tourist items, presumably for tourists who think its funny to masquerade as freedom fighter/socialist/community/dictator, or who want to shock conservative family with communist souvenirs. No, I did not buy the Che hat or the Mao coasters. Seriously? Mao coasters?

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An Artist’ Journey: China, 6am, 28 June 2014

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Sunrise from Stanley House, Hong Kong. © 2014 Jeane Vogel Studios

This is no ordinary journey. This is an artists’ journey to teach, to learn, to expand a studio practice. This is a journey about people.

I landed in Hong Kong on Friday evening, 27 June 2014. The flight was one of the bumpier on record… attendants were in their jump seats for most of the flight. Oy! We’re talking 15 hours!

My dear friend, Renata, met me at the airport. She’s been in China since Monday to attend the graduation of students she had last year when she taught at university here. She and her graduating students have coordinated the lectures and workshops I will give, the family visits, the touring in the second week I’m here. Renata keeps telling me it’s vacation. I tell Renata is work. Wonderful, joyous work. And she is a partner in the work I will create.

We are staying at Maryknoll Stanley House (Google it!) high on a hill overlooking Hong Kong and the sea. I guess everything in Hong Kong is overlooking the sea! It’s a beautiful old retreat house for the Maryknoll priests and brothers. The religious iconography is everywhere. And these men love art. Catholic symbols? Sure. Of course. but also lots of Buddhist and other faith traditions. Like the Buddhists and the Hindus, these seem to be people who understand the many paths to god.

The rooms are spare and the bathroom is down the hall. I was glad to have a large pashmina to toss over my shoulders to cover the rather strappy summer nightgown, when I walked to the bathroom! Didn’t want to scandalize a priest…. really don’t need that kind of karma.

This is real travel, like the pensiones of Italy and the hostels in England and the cabins in Costa Rica. No fancy restaurant or lush hotel room, but a solid hard bed, a fan, and real people to meet and talk to.

Thanks for coming on this journey during the next two weeks. Hope for wifi!

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The Land Always Calls

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Untitled, ©2013 Jeane Vogel Studios

I know I’m a person filled with opposites.

I love being with people, but I prefer to work alone. I am down-in-the-ditches feminist, but I like to be home with my husband and kids. I’m a homebody with wander lust.

And I’m a city woman who needs a daily outdoors fix, preferably on or near water.

I lived on a farm for three years after college. Chickens, cows, garden, snakes, bugs… and whippoorwills calling at night. I baked bread and learned to split wood for the fire. I canned. I milked cows and collected eggs.  It was glorious and hard… and lonely. Earth Mother experiment over, I returned to the city.

But the land always calls. This week I got a terrific gift: an afternoon and evening at a friend’s flower farm about 75 minutes outside St. Louis. Who couldn’t love a flower farm? Good friends, a long walk around the farm, perfect light, wonderful dinner, bottle of wine, clean air, grape arbors, hay filled barns, joyful dog begging to play.

With all this wonderfulness, and time and subjects that would make most photographers weep with gratitude, all I could think about it how this land, this way of life, is going away. Development, pesticides, corporate farming, profit, and just plain thoughtlessness about the future is stripping it away.

Thanks to Vicki and Jack of Flower Hill Farm, for being stewards of the land, for filling my home with flowers, and my heart with joy.

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Untitled, Flower Hill Farm, ©2013 Jeane Vogel Studios, Digital Infrared
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Art, Your Cousin Is Science!

I’m a bit of a science nerd. I want to know how the world works. I want to travel to the stars. I want to understand the cosmos and the stuff squirming under the rock.

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“View from the Lily Pad,” Mixed Media (film emulsion lift on watercolor) ©2013 Jeane Vogel Studios

I don’t want to do the math.

So, I’m not a scientist. When I was younger, I thought I could understand physics if I could get 30 minutes in a room with Carl Sagan. My current science crush is Neil deGrasse Tyson, of course. He’s funny, a mensch, and has a terrific podcast, Star Talk. In fact, one day I hope he’ll agree to participate in my Dare to Touch the Face of God project in response to fear mongering and intolerance. That’s for another time.

(I also have a crush on Geordi LaForge, but he’s not real. Yeah, yeah, yeah. Steve knows.)

I was listening to podcast with Dr. Tyson (I know he wants me to call him Neil, because, after all, he is my personal astrophysicist!), that I was thunderstruck with the notion and art and science are two sides of the same coin.

I don’t mean that traditional photographers and potters have to the understand the chemistry of their processes to get their emulsion coatings or glazes formulas right, though it’s true.

I mean that art and science have the same goal: discovery.

Really?

Art is communication of ideas and emotions and memories and calls to action. Science is communication of ideas and emotions and memories and calls to action. Art and science reveal worlds newly discovered. Everyday. We just do it differently.

We all learned the scientific method in school: postulate a theory (idea), then prove or disprove the hypothesis. Experimentation. Trial and error. Research. Failure. Years of painstaking measurements, recording results. What happens if I try this? Small movements forward, step by step.

An artist does the same thing. In the studio, I will struggle with an idea, and spend days, weeks, even years to get the right combination of substrates, media, and execution to realize the idea. I work. I record. I experiment. I succeed — or fail. The trash gets pretty full.

I have work hanging in the C-Train Gallery at Washington University this summer. The building is filled with scientists and labs and experiments that one day may produce life-saving treatments. I talked to scientists about art all night. They were hungry for it. I was delighted!

In conversation with one tall, impressive-looking man, I broached the idea that he and I, the scientist and the artist, were cousins. We had the same goal. We dream something up in our heads and work to make it real, then we have a hellish time explaining what we do to the rest of the world.

The world thinks the scientist is the brilliant misanthrope in the lab, cooking up something to heal or destroy the planet.

The world thinks the artist is the flakey nut (who apparently is independently wealthy) who –la, la, la– paints and plays and toils at nothing.

No, we are the people who bring ideas to the world. We bring inspiration and hope, and sometimes we bring answers. We need art in the world as much as we need science. We need science in the world as much as we need art.

We talked about this idea for a while. Yes, he agreed. We are cousins.

Then he bought one of my Polaroid Paintings. I love science!

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No Film for YOU!

Like Seinfeld’s Soup Nazi, it felt like the universe was saying: NO FILM FOR YOU!

>More New Work!

Summer Garden, ©2007 Jeane Vogel Studios, Polaroid Painting, 20×20 inches

Taught as part of most fine art degrees in photography in the ’70s and ’80s, painting with the emulsion of Polaroid film was the hardest for some. I’ve had photographers of my era come into my gallery or art fair a booth and flash back to a class where they struggled to move the emulsion to create something evocative… not muddy.

“Oh, I hated this class,” I’ve heard more than once.

I loved it. I was one of those kids who was always drawing, but wasn’t quite good enough. But I also loved cameras and film and angles and light. That one stuck better. And adults weren’t discouraging me. So photography it was.

But part of me wanted to feel the movement of the paint under my fingers as the creation evolved.

POLAROIDS!

Actually, it was a special Polaroid film, SX-70, that had a manufacturing flaw that allowed the emulsion to stay chemically active and soft for a period of time, allowing us the change the shape and colors as it developed. To do it right takes time and knowledge of how color film develops, how to control the developing speed, and … here’s the kicker: how to draw.

To create a Polaroid Painting, you have to think like a painter. You have to know what you want it to look like before you begin. If you try to figure it out as your go, it will look messy or contrived… or like a Photoshop filter.

It’s hard for photographers to think ahead. (And one of the reasons why I teach drawing for photographers, so they can craft their images rather than “capture” them… but that’s for another day.)

This film is gone. Discontinued in 2008. I hoarded and cared for my film for three years. Out of one 10 pack of film, I MIGHT get one good image. You see the problem. There just wasn’t going to be enough film for the images I wanted.

Oh, do this in Photoshop, I hear. It’s not the same. It’s not just that the feel isn’t the same… the look isn’t the same. Part of art is INTENTION. Part of film is texture. Photoshop often fails.

I have one special pack of film left, stashed in the back of the refrigerator, with a roll of exposed by undeveloped Kodachrome that I missed when the last of that film was being processed.

Eight sheets of film. Waiting.

Impossible Project is working to bring back my film. They have done remarkable work replicating lots of the old Polaroid film… but the SX-70 is not the same.

In the meantime, I have these.

So can you.

Polaroid Opening

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Searching for Words

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Searching for Words, 11×14, watercolor, ©2013 Jeane Vogel Studios

Art saves lives.

Anyone who knows me or reads my posts knows that’s my mantra. Art is personal expression. It’s communication. My artist statement gently reminds patrons that “art should match your soul, not your sofa.” Art should speak to you… down to your toes.

What if art is the only way you can communicate?

Through her work, I have met Dinaz. She’s 15, attends a St. Louis area high school, is mostly non-verbal, has some hearing loss, and poor motor skills.

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But she can paint.

As part of the Chesterfield Art’s Kaleidoscope program for youth with disabilities, Dinaz was inspired by Kandinsky’s Circles. They chose her piece for their postcard! Before I saw the postcard, her’s was the piece that spoke to me.

Chesterfield Art asked professional artists to create original work inspired by a work of the students. She and her work inspired “Searching for Words.”

Our work will be displayed together at Chesterfield Arts, 444 Chesterfield Center in Chesterfield. Please join us for the artists’ reception, 6-8, August 16. The exhibit will hang through the end of the month.

Coincidentally, August 16 is my son Aaron’s 21st birthday. He will be there. Aaron also inspired Searching for Words… He has CHARGE syndrome, is non-verbal, mostly deaf, legally blind, developmentally delayed… and loves art. He loves creating it. He loves experiencing it.

Art is tactile for the eyes, ears, fingers, soul. Art opens up new worlds. Art allows expression that slip past conventional means.

Art is not decoration. It is communication… between you and the artist and the work.

It’s inspiration. It’s happy. It’s thoughtful. It’s a memory. It’s a provocation. It takes you to a place you might not have imagined.

Art Saves Lives.

It doesn’t have to match the sofa.

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